Creating Self-Portraits Using a Long Exposure

In 2016, I found myself in the throes of an identity crisis. Self-portraiture was a tool I began using as a form of healing and self-expression during this difficult time. I was looking for ways to express myself in a way that was unique to me. Through much experimentation, I introduced long exposures into my self-portraiture work. Feeling invisible, I created my "See Me" project as a way to be seen essentially. "See Me" is an ongoing project where I continue to make these past and present stories and versions of myself.

Creating these long exposures became an integral part of my healing process. I developed this relationship with time and these in-between moments. Knowing that my thoughts, feelings, breath, heartbeat, movement, and life were captured in an image intrigued me. I was drawn to this in-between space where I could reveal pieces of my personal story that felt just as haunted as I did. I was able to step outside of myself and witness myself with fresh eyes. As the exposure time lengthened, I discovered I could create an image with two versions of me; much like the results that a double exposure could produce. This allowed me to see myself as another person and give her the love and forgiveness she longed for. In the end, this project has been an aid in the practice of self-love and self-discovery.

The below image is the newest edition to the series. This is a self-portrait I took in my backyard using a 10-second shutter speed and my Lensbaby Velvet 56.

Sony a7riii | Velvet 56 | f/16 | ISO 50 | SS 10s

Sony a7riii | Velvet 56 | f/16 | ISO 50 | SS 10s

You can view the series here on my website under ‘Projects’ or in the July/August 2021 issue of Shadow & Light Magazine, The Surreal Issue.

If you’re a member of the Click Community, I have a tutorial explaining my process for this. If you have any questions about my process, let me know!

The Importance of Play for Creativity

I've recently had a spark of creativity that has resulted in a new way of creating for me. I've been breathing new life and meaning into self-portraits I have already made. It began with taking a print of a recent self-portrait and poking holes in it. I needed pins and needles of various sizes and some cork board to put behind the printed photo. This technique is something I have wanted to try for years but never took the first step. Next, I found a light to shine behind the print and used my camera to take a picture of the altered print. This was the result.

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Another thing I tried was using gold leaf paint. When I shared this next self-portrait on social media, several people thought I had used some type of overlay in Photoshop to achieve this look. Again, this was a print of an older self-portrait I had. I splattered gold leaf paint on top of the print and then photographed the print using my Lensbaby Velvet 56.



For this last one, I used a 2.5-gallon fish tank. I took the printed photograph, submerged it into the tank, and shook the tank to create movement in the water. Then, I took a picture of the picture.

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Many viewers assumed my end results were all achieved in Photoshop. The process of making these felt important and therapeutic for me. I wasn't sure how they would turn out and was intrigued by the fact that these photographs would be forever altered and have new meaning. There was a quality of permanence to them that they didn't have before.

As a Lensbaby Ambassador, I can save you 10% off your Lensbaby regular-priced purchase by using the code wsharon. As a Click Pro Ambassador, I can save you $15.00 off of your Click Pro application by clicking here to apply and using code sharoncovert.

Are you Feeling Supported?

Something that often comes up in my class, Expressive Self Portraiture, is the fear of sharing such deep and personal work while not feeling supported by those closest to us. I always encourage artists to share their work and trust that it will reach the right people at the right time, but this is no easy feat even for some of the most esteemed artists.
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It can feel confusing and even hurtful when the people we are closest to do not show support for our art. Why does it seem to be common to feel more supported by strangers and people you have never met in person? There can be several reasons for this.
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Our art is not for everyone.
I’ll say it again.
Not everyone is going to understand or connect with our work.
Our work can cause uncomfortable feelings for some people.
It may encourage them to face something in themselves that they are not ready to face.
They may think following you is enough.
They may feel intimidated or feel like an outsider to the art world.
They may not know how or feel comfortable interpreting our art.
They have their reasons and whatever they may be, just know that it is about them and not you or your work.
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As artists, we sometimes fall too deep in the trap of external validation. When we don’t see the support we would hope for from friends and family we tend to stay small. We don’t speak up or question it, but instead we hide with our feelings of unworthiness, self-doubt, and imposter syndrome.
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Fellow artists, keep doing what you’re doing and supporting each other. I know what gets put into making personal work. I’m a firm believer in artists supporting artists. I support you and appreciate your support- every comment, like, share, review, and recommendation.
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Thank you!
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Let’s discuss this. Do you find this is something you have struggled with or encountered? I believe it’s much more common than we think.

Sony a7riii | Velvet 56 | f/2.8 | 1/250 | 200

✨ Don’t forget as a Lensbaby Ambassador I can save you 10% on your purchase. You can click this link and use the discount code- wsharon . Tag me on Instagram with any images you make with your Lensbaby gear so I can show my support!

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Seeker {Lensbaby Self-Portraits)

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Earlier this week, I shot these self-portrait in my backyard using my Lensbaby Velvet 56. Since @lensbabyusa lenses are manual focus lenses, I needed something to focus on in the place where I would be standing. I used a dress form complete with a wig and mask on it to stand in my place. I use this because it is similar in size and height to me. Once I grabbed my focus, I was able to place a stick on the ground where I would be standing and move the dress form out of the frame.
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Have a question? Comment or DM me! Here’s the link for Lensbaby’s site. Be sure to use the code wsharon for a 10% discount on your next Lensbaby purchase!

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Sony a7riii | Velvet 56 | 1/250 | f/2 | ISO 100

Sony a7riii | Velvet 56 | 1/250 | f/2 | ISO 100

Lensbaby Ambassador

Lensbaby Ambassador!

It’s official! I have joined the @lensbabyusa team as part of their Ambassador program. I have been using Lensbaby lenses for several years now. If you’ve taken my Expressive Self Portraiture class you know that I love using Lensbaby lenses throughout my self-portraiture work. If you’ve taken my other class, The Art of Authenticity, then you know that my macro work primarily consists of Lensbaby work. Nothing can compare!

So what does this mean? I will be sharing more behind the scenes and details of my Lensbaby work and why I love working with these unique lenses. I also have a discount code for YOU! Feel free to DM me any time with any questions about Lensbaby or my process.

You can follow this LINK to their website and use the code wsharon to save 10% on all regular price purchases.

This self-portrait was taken with the Lensbaby Composer Pro II and the Sweet 50 optic.

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