Creating Self-Portraits Using a Long Exposure

In 2016, I found myself in the throes of an identity crisis. Self-portraiture was a tool I began using as a form of healing and self-expression during this difficult time. I was looking for ways to express myself in a way that was unique to me. Through much experimentation, I introduced long exposures into my self-portraiture work. Feeling invisible, I created my "See Me" project as a way to be seen essentially. "See Me" is an ongoing project where I continue to make these past and present stories and versions of myself.

Creating these long exposures became an integral part of my healing process. I developed this relationship with time and these in-between moments. Knowing that my thoughts, feelings, breath, heartbeat, movement, and life were captured in an image intrigued me. I was drawn to this in-between space where I could reveal pieces of my personal story that felt just as haunted as I did. I was able to step outside of myself and witness myself with fresh eyes. As the exposure time lengthened, I discovered I could create an image with two versions of me; much like the results that a double exposure could produce. This allowed me to see myself as another person and give her the love and forgiveness she longed for. In the end, this project has been an aid in the practice of self-love and self-discovery.

The below image is the newest edition to the series. This is a self-portrait I took in my backyard using a 10-second shutter speed and my Lensbaby Velvet 56.

Sony a7riii | Velvet 56 | f/16 | ISO 50 | SS 10s

Sony a7riii | Velvet 56 | f/16 | ISO 50 | SS 10s

You can view the series here on my website under ‘Projects’ or in the July/August 2021 issue of Shadow & Light Magazine, The Surreal Issue.

If you’re a member of the Click Community, I have a tutorial explaining my process for this. If you have any questions about my process, let me know!

The Importance of Play for Creativity

I've recently had a spark of creativity that has resulted in a new way of creating for me. I've been breathing new life and meaning into self-portraits I have already made. It began with taking a print of a recent self-portrait and poking holes in it. I needed pins and needles of various sizes and some cork board to put behind the printed photo. This technique is something I have wanted to try for years but never took the first step. Next, I found a light to shine behind the print and used my camera to take a picture of the altered print. This was the result.

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Another thing I tried was using gold leaf paint. When I shared this next self-portrait on social media, several people thought I had used some type of overlay in Photoshop to achieve this look. Again, this was a print of an older self-portrait I had. I splattered gold leaf paint on top of the print and then photographed the print using my Lensbaby Velvet 56.



For this last one, I used a 2.5-gallon fish tank. I took the printed photograph, submerged it into the tank, and shook the tank to create movement in the water. Then, I took a picture of the picture.

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Many viewers assumed my end results were all achieved in Photoshop. The process of making these felt important and therapeutic for me. I wasn't sure how they would turn out and was intrigued by the fact that these photographs would be forever altered and have new meaning. There was a quality of permanence to them that they didn't have before.

As a Lensbaby Ambassador, I can save you 10% off your Lensbaby regular-priced purchase by using the code wsharon. As a Click Pro Ambassador, I can save you $15.00 off of your Click Pro application by clicking here to apply and using code sharoncovert.